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Serisa Fitz-James
We Can Ask For More
Ceramic. 2020.
Courtesy of the artist
htmlText_989600A6_DE9D_58A6_41EA_0D813B41C6DD.html =
Serisa Fitz-James
We Can Ask For More
Ceramic. 2020.
Courtesy of the artist
htmlText_98BAADAF_DEF5_48A6_41E8_5B305C31A0CA.html =
Jean Baptiste
Reclaiming Vines
Acrylic and glass beads on canvas. 2020.
Red Hand Lost in Flowers
Acrylic on fabric. 2021.
Courtesy of the artist
htmlText_98FB9EA0_DEB4_CB5A_41D3_9B129A9FA008.html =
Jessica Karuhanga
do u feel me?
Digital print on vinyl. 2020.
Courtesy of the Artist
htmlText_991242FB_DEBD_58AE_41D9_7CBCC67040A6.html =
sab meynert
Infinite Unfolding – Rebirth
(Just Ask / Joy is the Most
Authentic Expression of the Soul)
Ink, gouache, metallic print on paper. 2019.
Sweet Selfhood
Ink, gouache, metallic pigment, iridescent pigment, resin on paper, copper and hemp cord suspension. 2021.
Giving Life-force, Grounding Abundance
Ink, gouache, metallic pigment, and resin on paper, with pyrite crystal suspended from 18 karat gold-plated hardware. 2021.
Exalted
Ink, gouache, metallic pigment, and resin on paper with a genuine lapis lazuli crystal,and 24 karat gold-plated silver hardware. 2021.
Courtesy of the artist
htmlText_9AD6F780_DEED_595A_41D8_CADBD487A2E4.html =
Jean Baptiste
Two Wolves
Acrylic and glass beads on chest binder. 2021.
Tree Pasties
Acrylic on fabric and glass beads. 2021.
Pride Pasties
Glass beads on melton wool. 2021.
Huckleberry Pasties
Glass beads on melton wool. 2021.
Huckleberry Cuffs
Glass beads onleather and melton wool, chain. 2021.
Flower Clamps
Glass beads, acrylic, rubber, and metal. 2021.
Water Flogger
Glass beads, leather, and wood. 2021.
Fire Flogger
Glass beads, leather, and wood. 2021.
Courtesy of the artist
htmlText_9B32C91C_DEB7_496A_41DD_D21EF304DAB6.html =
sab meynert
Infinite Unfolding – Rebirth
(Just Ask / Joy is the Most
Authentic Expression of the Soul)
Ink, gouache, metallic print on paper. 2019.
Sweet Selfhood
Ink, gouache, metallic pigment, iridescent pigment, resin on paper, copper and hemp cord suspension. 2021.
Giving Life-force, Grounding Abundance
Ink, gouache, metallic pigment, and resin on paper, with pyrite crystal suspended from 18 karat gold-plated hardware. 2021.
Exalted
Ink, gouache, metallic pigment, and resin on paper with a genuine lapis lazuli crystal,and 24 karat gold-plated silver hardware. 2021.
Courtesy of the artist
htmlText_9B5F0790_DEAF_D97A_41EA_BB59B71D7AAF.html =
Kablusiak
Buttplug
Soapstone, tung oil. 2018.
Collection of the Walter Phillips Gallery, Banff Centre for Arts and Creativity
Ball gag
Soapstone, tung oil, metal, hardware, artificial sinew, leather. 2022.
Courtesy of the Courtesy of the Artist and Norberg Hall
Hair Crop
The artist’s hair, leather, E6000, artificial sinew. 2022.
Courtesy of the Courtesy of the Artist and Norberg Hall
Heart Paddle
Dyed sealskin, leather, artificial sinew. 2022.
Courtesy of the Courtesy of the Artist and Norberg Hall
htmlText_9BC6A428_DEB4_DFAA_41B1_F615D1954C7F.html =
sab meynert
PROGRESS IS A
SPIRAL UPWARD
Animation, 00:00:17. 2022.
Courtesy of the artist
htmlText_9BD2C3D0_DE97_78FA_41EA_EB97B4C6490B.html =
Serisa Fitz-James
We Can Ask For More
Ceramic. 2020.
Courtesy of the artist
htmlText_9BF4A357_DE95_F9E6_41EB_46030609F4D2.html =
Kablusiak
Buttplug
Soapstone, tung oil. 2018.
Collection of the Walter Phillips Gallery, Banff Centre for Arts and Creativity
Ball gag
Soapstone, tung oil, metal, hardware, artificial sinew, leather. 2022.
Courtesy of the Courtesy of the Artist and Norberg Hall
Hair Crop
The artist’s hair, leather, E6000, artificial sinew. 2022.
Courtesy of the Courtesy of the Artist and Norberg Hall
Heart Paddle
Dyed sealskin, leather, artificial sinew. 2022.
Courtesy of the Courtesy of the Artist and Norberg Hall
htmlText_9E6F405D_DE9D_D7EA_41D2_EFDFB6EA4507.html =
Serisa Fitz-James
We Can Ask For More
Ceramic. 2020.
Courtesy of the artist
htmlText_9F32ED66_DEAD_49A6_41E5_6898962A7ECA.html =
sab meynert
PROGRESS IS A
SPIRAL UPWARD
Animation, 00:00:17. 2022.
Courtesy of the artist
htmlText_9FD658C1_DEAD_48DA_41EA_59294BAB7001.html =
Jessica Karuhanga
do u feel me?
Digital print on vinyl. 2020.
Courtesy of the Artist
htmlText_E426E985_DEF4_C95A_41D5_B02B014C111B.html =
Bagua Artist Association
Roadside Diary
Digital print on paper. 2020.
Courtesy of the artist
htmlText_ED323CD5_DE95_C8FA_41D7_8A134AD63718.html =
Bagua Artist Association
Foot Reading
Acrylic on Fabric. 2020.
Courtesy of the artist
htmlText_F1AC53C4_D66F_38DA_41E8_5C72B56E716E.html =
After Care is a response to the conditions of live-ability that apply to some but not all.
This exhibition features artists who have lived experience of the lateral violence unduly placed on marginalized communities, and it reflects on the practice of progressive models of sexual after care. In erotic and roleplaying scenarios involving bondage, discipline, dominance and submission, and sadomasochism, the act of “checking in” reflects the care placed on interpersonal dynamics that too often fail to acknowledge the harm perpetuated by systems of power and control.
As we start to think through the often-used phrase, “communities of care,” we should acknowledge that what underpins sexual and political after care is an acknowledgement that an imbalance of power contributes to unhealthy interpersonal relationships as well as imperfect societies. By addressing these issues through the lens of after care, how might we hold ourselves accountable for doing the real work of providing care?
Curated by: Derrick Chang
Featuring: Bagua Artist Association (Katharine Meng-Yuan Yi and Sean Cao), Jean Baptiste, Serisa Fitz-James, Kablusiak, Jessica Karuhanga, and sab meynert.
htmlText_FE075A4C_D66C_CBEA_41DD_400BC426B2FD.html =
After Care is a response to the conditions of live-ability that apply to some but not all.
This exhibition features artists who have lived experience of the lateral violence unduly placed on marginalized communities, and it reflects on the practice of progressive models of sexual after care. In erotic and roleplaying scenarios involving bondage, discipline, dominance and submission, and sadomasochism, the act of “checking in” reflects the care placed on interpersonal dynamics that too often fail to acknowledge the harm perpetuated by systems of power and control.
As we start to think through the often-used phrase, “communities of care,” we should acknowledge that what underpins sexual and political after care is an acknowledgement that an imbalance of power contributes to unhealthy interpersonal relationships as well as imperfect societies. By addressing these issues through the lens of after care, how might we hold ourselves accountable for doing the real work of providing care?
Curated by: Derrick Chang
Featuring: Bagua Artist Association (Katharine Meng-Yuan Yi and Sean Cao), Jean Baptiste, Serisa Fitz-James, Kablusiak, Jessica Karuhanga, and sab meynert.
htmlText_FE55D624_D66D_7B5A_41DD_2FF61F4382A8.html =
After Care is a response to the conditions of live-ability that apply to some but not all.
This exhibition features artists who have lived experience of the lateral violence unduly placed on marginalized communities, and it reflects on the practice of progressive models of sexual after care. In erotic and roleplaying scenarios involving bondage, discipline, dominance and submission, and sadomasochism, the act of “checking in” reflects the care placed on interpersonal dynamics that too often fail to acknowledge the harm perpetuated by systems of power and control.
As we start to think through the often-used phrase, “communities of care,” we should acknowledge that what underpins sexual and political after care is an acknowledgement that an imbalance of power contributes to unhealthy interpersonal relationships as well as imperfect societies. By addressing these issues through the lens of after care, how might we hold ourselves accountable for doing the real work of providing care?
Curated by: Derrick Chang
Featuring: Bagua Artist Association (Katharine Meng-Yuan Yi and Sean Cao), Jean Baptiste, Serisa Fitz-James, Kablusiak, Jessica Karuhanga, and sab meynert.
htmlText_FE5C6692_D66D_5B7E_41D4_40ECE93FF1FB.html =
After Care is a response to the conditions of live-ability that apply to some but not all.
This exhibition features artists who have lived experience of the lateral violence unduly placed on marginalized communities, and it reflects on the practice of progressive models of sexual after care. In erotic and roleplaying scenarios involving bondage, discipline, dominance and submission, and sadomasochism, the act of “checking in” reflects the care placed on interpersonal dynamics that too often fail to acknowledge the harm perpetuated by systems of power and control.
As we start to think through the often-used phrase, “communities of care,” we should acknowledge that what underpins sexual and political after care is an acknowledgement that an imbalance of power contributes to unhealthy interpersonal relationships as well as imperfect societies. By addressing these issues through the lens of after care, how might we hold ourselves accountable for doing the real work of providing care?
Curated by: Derrick Chang
Featuring: Bagua Artist Association (Katharine Meng-Yuan Yi and Sean Cao), Jean Baptiste, Serisa Fitz-James, Kablusiak, Jessica Karuhanga, and sab meynert.
htmlText_FF44FD1F_D695_4966_4188_6BCB6CEDE8D0.html =
After Care is a response to the conditions of live-ability that apply to some but not all.
This exhibition features artists who have lived experience of the lateral violence unduly placed on marginalized communities, and it reflects on the practice of progressive models of sexual after care. In erotic and roleplaying scenarios involving bondage, discipline, dominance and submission, and sadomasochism, the act of “checking in” reflects the care placed on interpersonal dynamics that too often fail to acknowledge the harm perpetuated by systems of power and control.
As we start to think through the often-used phrase, “communities of care,” we should acknowledge that what underpins sexual and political after care is an acknowledgement that an imbalance of power contributes to unhealthy interpersonal relationships as well as imperfect societies. By addressing these issues through the lens of after care, how might we hold ourselves accountable for doing the real work of providing care?
Curated by: Derrick Chang
Featuring: Bagua Artist Association (Katharine Meng-Yuan Yi and Sean Cao), Jean Baptiste, Serisa Fitz-James, Kablusiak, Jessica Karuhanga, and sab meynert.