#: locale=en
## Hotspot
### Tooltip
HotspotPanoramaOverlayArea_294F8E11_3260_8D6B_416E_F7E4FB88A2E8.toolTip = Enter lower gallery
HotspotPanoramaOverlayArea_3D84B38B_333F_4DA6_41AA_9402B9601222.toolTip = Enter upper gallery
HotspotPanoramaOverlayArea_4E40CA2F_41A3_197E_41BD_9AA82E8C4E80.toolTip = Exit gallery
HotspotPanoramaOverlayArea_4FC04AD7_416E_F92E_41B3_7C501C27CA59.toolTip = Exit gallery
HotspotPanoramaOverlayArea_B8BC4F04_A674_C3FF_41CC_90195E16811A.toolTip = Exit gallery
HotspotPanoramaOverlayArea_4F36415E_4162_EBDF_41A1_F5F90C1D8773.toolTip = Exit gallery
HotspotPanoramaOverlayArea_3EA767DA_333A_B5A6_41BA_8D54D1283428.toolTip = Go to upper gallery
HotspotMapOverlayArea_22F4CBA5_3260_8AAB_41C4_0B5662CBC2DE.toolTip = Go to upper gallery
HotspotMapOverlayArea_2341ED49_33E0_8FFB_41C0_831581D5B6AC.toolTip = Go to upper gallery
## Media
### Floorplan
### Image
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### Subtitle
panorama_BE4CAA74_A67C_C50B_41DC_3A3ECC4FD127.subtitle = BAG | Dream Marrow
panorama_BF2CBB90_A675_7B0B_41D9_0B7DC4A32C2B.subtitle = BAG | Dream Marrow
panorama_BBBE9460_A66D_CD0B_41DF_2B6D42EB4C9C.subtitle = BAG | Dream Marrow
panorama_D6F1746F_CEC4_0D72_41BA_1BB023F501B0.subtitle = BAG | Dream Marrow
panorama_BE9A568E_A677_4D17_41D4_FD521D0F5856.subtitle = BAG | Dream Marrow
panorama_BE7BCC61_A677_BD0D_41BA_0981BD6BAA35.subtitle = BAG | Dream Marrow
panorama_BE79B49E_A677_CD37_41E1_7DAA2FD906F7.subtitle = BAG | Dream Marrow
panorama_BE7CAEAD_A677_7D15_41DC_9C5891B2EF1E.subtitle = BAG | Dream Marrow
panorama_BC4A1244_A657_450B_41DE_FB6E1DEE6179.subtitle = BAG | Dream Marrow
panorama_BF294939_A67B_C77D_41DA_4AF6FFAA5260.subtitle = BAG | Dream Marrow
panorama_BE72566C_A67B_CD1B_41E4_A315AACFD76B.subtitle = BAG | Dream Marrow
panorama_BE5ACB47_A67B_5B15_41D8_18F5B01B1F21.subtitle = BAG | Dream Marrow
panorama_BEB0F912_A66B_470F_41DF_A1C00A24E2A4.subtitle = BAG | Dream Marrow
panorama_BEB96A4C_A67D_451B_41D2_F4C9CA47F4C3.subtitle = BAG | Dream Marrow
panorama_BE81F9F6_A67D_46F7_41E0_A652CC9CB534.subtitle = BAG | Dream Marrow
panorama_BEB83350_A67C_CB0B_41E4_3B0B3AF59B27.subtitle = BAG | Dream Marrow
panorama_BEA8395C_A67F_473B_41BB_10889DE03699.subtitle = BAG | Dream Marrow
panorama_BE411B82_A67F_DB0F_41DD_3F39CDD151C6.subtitle = BAG | Dream Marrow
panorama_BF100A4E_A67C_C517_41E1_62117F94E5FF.subtitle = BAG | Dream Marrow
panorama_BE554F6C_A67D_5B1B_41E3_34F84AB62B27.subtitle = BAG | Dream Marrow
panorama_BEA41FAA_A67D_DB1F_41A6_EA61D77E3062.subtitle = BAG | Dream Marrow
panorama_BE409D2B_A67D_BF1D_41DB_53E290265650.subtitle = BAG | Dream Marrow
panorama_BE8A80E1_A67C_C50D_41BC_41558BB1C102.subtitle = BAG | Dream Marrow
panorama_BBA1BCA9_A69D_4609_41BA_F0429FA5BFD4.subtitle = BAG | Dream Marrow
### Title
panorama_BEB0F912_A66B_470F_41DF_A1C00A24E2A4.label = DreamMarrow_01
panorama_BE7CAEAD_A677_7D15_41DC_9C5891B2EF1E.label = DreamMarrow_02
panorama_BF2CBB90_A675_7B0B_41D9_0B7DC4A32C2B.label = DreamMarrow_03
panorama_BBBE9460_A66D_CD0B_41DF_2B6D42EB4C9C.label = DreamMarrow_04
panorama_D6F1746F_CEC4_0D72_41BA_1BB023F501B0.label = DreamMarrow_05
panorama_BE9A568E_A677_4D17_41D4_FD521D0F5856.label = DreamMarrow_06
panorama_BE7BCC61_A677_BD0D_41BA_0981BD6BAA35.label = DreamMarrow_07
panorama_BE79B49E_A677_CD37_41E1_7DAA2FD906F7.label = DreamMarrow_08
panorama_BE5ACB47_A67B_5B15_41D8_18F5B01B1F21.label = DreamMarrow_09
panorama_BE4CAA74_A67C_C50B_41DC_3A3ECC4FD127.label = DreamMarrow_10
panorama_BEB96A4C_A67D_451B_41D2_F4C9CA47F4C3.label = DreamMarrow_11
panorama_BE81F9F6_A67D_46F7_41E0_A652CC9CB534.label = DreamMarrow_12
panorama_BEB83350_A67C_CB0B_41E4_3B0B3AF59B27.label = DreamMarrow_13
panorama_BEA8395C_A67F_473B_41BB_10889DE03699.label = DreamMarrow_14
panorama_BE72566C_A67B_CD1B_41E4_A315AACFD76B.label = DreamMarrow_15
panorama_BBA1BCA9_A69D_4609_41BA_F0429FA5BFD4.label = DreamMarrow_15b
panorama_BF294939_A67B_C77D_41DA_4AF6FFAA5260.label = DreamMarrow_16
panorama_BC4A1244_A657_450B_41DE_FB6E1DEE6179.label = DreamMarrow_17
panorama_BE411B82_A67F_DB0F_41DD_3F39CDD151C6.label = DreamMarrow_18
panorama_BF100A4E_A67C_C517_41E1_62117F94E5FF.label = DreamMarrow_20
panorama_BE554F6C_A67D_5B1B_41E3_34F84AB62B27.label = DreamMarrow_21
panorama_BEA41FAA_A67D_DB1F_41A6_EA61D77E3062.label = DreamMarrow_22
panorama_BE409D2B_A67D_BF1D_41DB_53E290265650.label = DreamMarrow_23
panorama_BE8A80E1_A67C_C50D_41BC_41558BB1C102.label = DreamMarrow_24
map_3F2FDD85_3260_8F6B_41B2_D7DD8D9D1581.label = Floor Plan - BAG LWR GALLERY
map_3E19DBCB_3261_8AFF_41A0_3B86CFD8CBB8.label = Floor Plan - BAG UPR GALLERY
video_D34AF930_C44C_36F8_41CE_85F1A87EA8DC.label = Low Res_Lilith_by Hana x Zeus copy
### Video
videolevel_ED2A20F3_CEC4_0552_4196_57F88E61ECA9.url = media/video_D34AF930_C44C_36F8_41CE_85F1A87EA8DC_en.mp4
videolevel_ED2A20F3_CEC4_0552_4196_57F88E61ECA9.posterURL = media/video_D34AF930_C44C_36F8_41CE_85F1A87EA8DC_poster_en.jpg
## Popup
### Body
htmlText_B172A80E_A66F_4E0B_41AE_433981FDC508.html = Dream Marrow
Hana Amani and Audie Murray alongside works from the City of Burnaby Permanent Art Collection
“Everything in this whole world is an embedded series of dreams and novels, like boxes within boxes, one within another, and then in yet another, everything being a story of stories, like The Thousand and One Nights, unfolding false in the eternal night.” – Fernando Pessoa
Dream Marrow invites us to consider dreams and storytelling as collective endeavors with the power to connect, liberate and subvert. Hana Amani and Audie Murray posit dreaming, and other visionary acts, as holding the potential to connect us across generations and to remain sovereign in the face of oppression. The darkened chambers of dreamspace are occupied by collective voices and retellings. Dreaming becomes relational, and we become privy to lineages of thought that acknowledge the power of dreams and how they connect us to ancestors and others, future and past.
The Michif artist Audie Murray’s process-based practice centres on embodied experiences and asserts a presence of Métis cosmology. Her works included in Dream Marrow reflect on the capacity for dreams to connect individuals across generations, while speaking to, and enacting agency over, the portrayal of stories and imaginations with care and reciprocity. Murray’s work provides generative frameworks for how we might be in relation, despite the multiple crises we face.
The Sri Lankan–raised artist Hana Amani recasts mythical figures with complicated relationships to nighttime as powerful and visionary. She engages with women from Islamic mythology, recounting various aspects but highlighting the women’s desires, their curiosity, and granting them a complexity that is often missing from popular accounts. Amani does so with an eye for the future, acknowledging that if their portrayal is symptomatic of patriarchal times, feminist retellings can provide an antidote.
Dream Marrow welcomes you to the twilight hours and the resistance that charts its path across the starry sky.
Curated by Emily Dundas Oke
Dream Marrow
Hana Amani and Audie Murray alongside works from the City of Burnaby Permanent Art Collection
“Everything in this whole world is an embedded series of dreams and novels, like boxes within boxes, one within another, and then in yet another, everything being a story of stories, like The Thousand and One Nights, unfolding false in the eternal night.” – Fernando Pessoa
Dream Marrow invites us to consider dreams and storytelling as collective endeavors with the power to connect, liberate and subvert. Hana Amani and Audie Murray posit dreaming, and other visionary acts, as holding the potential to connect us across generations and to remain sovereign in the face of oppression. The darkened chambers of dreamspace are occupied by collective voices and retellings. Dreaming becomes relational, and we become privy to lineages of thought that acknowledge the power of dreams and how they connect us to ancestors and others, future and past.
The Michif artist Audie Murray’s process-based practice centres on embodied experiences and asserts a presence of Métis cosmology. Her works included in Dream Marrow reflect on the capacity for dreams to connect individuals across generations, while speaking to, and enacting agency over, the portrayal of stories and imaginations with care and reciprocity. Murray’s work provides generative frameworks for how we might be in relation, despite the multiple crises we face.
The Sri Lankan–raised artist Hana Amani recasts mythical figures with complicated relationships to nighttime as powerful and visionary. She engages with women from Islamic mythology, recounting various aspects but highlighting the women’s desires, their curiosity, and granting them a complexity that is often missing from popular accounts. Amani does so with an eye for the future, acknowledging that if their portrayal is symptomatic of patriarchal times, feminist retellings can provide an antidote.
Dream Marrow welcomes you to the twilight hours and the resistance that charts its path across the starry sky.
Curated by Emily Dundas Oke
Dream Marrow
Hana Amani and Audie Murray alongside works from the City of Burnaby Permanent Art Collection
“Everything in this whole world is an embedded series of dreams and novels, like boxes within boxes, one within another, and then in yet another, everything being a story of stories, like The Thousand and One Nights, unfolding false in the eternal night.” – Fernando Pessoa
Dream Marrow invites us to consider dreams and storytelling as collective endeavors with the power to connect, liberate and subvert. Hana Amani and Audie Murray posit dreaming, and other visionary acts, as holding the potential to connect us across generations and to remain sovereign in the face of oppression. The darkened chambers of dreamspace are occupied by collective voices and retellings. Dreaming becomes relational, and we become privy to lineages of thought that acknowledge the power of dreams and how they connect us to ancestors and others, future and past.
The Michif artist Audie Murray’s process-based practice centres on embodied experiences and asserts a presence of Métis cosmology. Her works included in Dream Marrow reflect on the capacity for dreams to connect individuals across generations, while speaking to, and enacting agency over, the portrayal of stories and imaginations with care and reciprocity. Murray’s work provides generative frameworks for how we might be in relation, despite the multiple crises we face.
The Sri Lankan–raised artist Hana Amani recasts mythical figures with complicated relationships to nighttime as powerful and visionary. She engages with women from Islamic mythology, recounting various aspects but highlighting the women’s desires, their curiosity, and granting them a complexity that is often missing from popular accounts. Amani does so with an eye for the future, acknowledging that if their portrayal is symptomatic of patriarchal times, feminist retellings can provide an antidote.
Dream Marrow welcomes you to the twilight hours and the resistance that charts its path across the starry sky.
Curated by Emily Dundas Oke
Dream Marrow
Hana Amani and Audie Murray alongside works from the City of Burnaby Permanent Art Collection
“Everything in this whole world is an embedded series of dreams and novels, like boxes within boxes, one within another, and then in yet another, everything being a story of stories, like The Thousand and One Nights, unfolding false in the eternal night.” – Fernando Pessoa
Dream Marrow invites us to consider dreams and storytelling as collective endeavors with the power to connect, liberate and subvert. Hana Amani and Audie Murray posit dreaming, and other visionary acts, as holding the potential to connect us across generations and to remain sovereign in the face of oppression. The darkened chambers of dreamspace are occupied by collective voices and retellings. Dreaming becomes relational, and we become privy to lineages of thought that acknowledge the power of dreams and how they connect us to ancestors and others, future and past.
The Michif artist Audie Murray’s process-based practice centres on embodied experiences and asserts a presence of Métis cosmology. Her works included in Dream Marrow reflect on the capacity for dreams to connect individuals across generations, while speaking to, and enacting agency over, the portrayal of stories and imaginations with care and reciprocity. Murray’s work provides generative frameworks for how we might be in relation, despite the multiple crises we face.
The Sri Lankan–raised artist Hana Amani recasts mythical figures with complicated relationships to nighttime as powerful and visionary. She engages with women from Islamic mythology, recounting various aspects but highlighting the women’s desires, their curiosity, and granting them a complexity that is often missing from popular accounts. Amani does so with an eye for the future, acknowledging that if their portrayal is symptomatic of patriarchal times, feminist retellings can provide an antidote.
Dream Marrow welcomes you to the twilight hours and the resistance that charts its path across the starry sky.
Curated by Emily Dundas Oke
Dream Marrow
Hana Amani and Audie Murray alongside works from the City of Burnaby Permanent Art Collection
“Everything in this whole world is an embedded series of dreams and novels, like boxes within boxes, one within another, and then in yet another, everything being a story of stories, like The Thousand and One Nights, unfolding false in the eternal night.” – Fernando Pessoa
Dream Marrow invites us to consider dreams and storytelling as collective endeavors with the power to connect, liberate and subvert. Hana Amani and Audie Murray posit dreaming, and other visionary acts, as holding the potential to connect us across generations and to remain sovereign in the face of oppression. The darkened chambers of dreamspace are occupied by collective voices and retellings. Dreaming becomes relational, and we become privy to lineages of thought that acknowledge the power of dreams and how they connect us to ancestors and others, future and past.
The Michif artist Audie Murray’s process-based practice centres on embodied experiences and asserts a presence of Métis cosmology. Her works included in Dream Marrow reflect on the capacity for dreams to connect individuals across generations, while speaking to, and enacting agency over, the portrayal of stories and imaginations with care and reciprocity. Murray’s work provides generative frameworks for how we might be in relation, despite the multiple crises we face.
The Sri Lankan–raised artist Hana Amani recasts mythical figures with complicated relationships to nighttime as powerful and visionary. She engages with women from Islamic mythology, recounting various aspects but highlighting the women’s desires, their curiosity, and granting them a complexity that is often missing from popular accounts. Amani does so with an eye for the future, acknowledging that if their portrayal is symptomatic of patriarchal times, feminist retellings can provide an antidote.
Dream Marrow welcomes you to the twilight hours and the resistance that charts its path across the starry sky.
Curated by Emily Dundas Oke
Dream Marrow
Hana Amani and Audie Murray alongside works from the City of Burnaby Permanent Art Collection
“Everything in this whole world is an embedded series of dreams and novels, like boxes within boxes, one within another, and then in yet another, everything being a story of stories, like The Thousand and One Nights, unfolding false in the eternal night.” – Fernando Pessoa
Dream Marrow invites us to consider dreams and storytelling as collective endeavors with the power to connect, liberate and subvert. Hana Amani and Audie Murray posit dreaming, and other visionary acts, as holding the potential to connect us across generations and to remain sovereign in the face of oppression. The darkened chambers of dreamspace are occupied by collective voices and retellings. Dreaming becomes relational, and we become privy to lineages of thought that acknowledge the power of dreams and how they connect us to ancestors and others, future and past.
The Michif artist Audie Murray’s process-based practice centres on embodied experiences and asserts a presence of Métis cosmology. Her works included in Dream Marrow reflect on the capacity for dreams to connect individuals across generations, while speaking to, and enacting agency over, the portrayal of stories and imaginations with care and reciprocity. Murray’s work provides generative frameworks for how we might be in relation, despite the multiple crises we face.
The Sri Lankan–raised artist Hana Amani recasts mythical figures with complicated relationships to nighttime as powerful and visionary. She engages with women from Islamic mythology, recounting various aspects but highlighting the women’s desires, their curiosity, and granting them a complexity that is often missing from popular accounts. Amani does so with an eye for the future, acknowledging that if their portrayal is symptomatic of patriarchal times, feminist retellings can provide an antidote.
Dream Marrow welcomes you to the twilight hours and the resistance that charts its path across the starry sky.
Curated by Emily Dundas Oke